Depicting a female sex worker as a figure with integrity and agency is difficult for another basic factor in the film medium. The camera is always serving as a voyeur. And, whereas in a novel, we can read the internal monologue of a female sex worker's deepest most anxieties, the camera constantly asks us to study and dissect her body, to constantly be aware of her function as a sex object.
That challenge can be overcome if a writer/director immediately recognizes and on some level distrusts the powers of his camera to give his heroine subjectivity. It would require seeing the heroine's sexual experiences, at least at some point, from her point of view. It would require a narrative that presented the choices she made to become a sex worker as a rational decision (not necessarily a good one or a non-destructive one) given her circumstances. A few years ago, the NY Times ran an article about a woman who was attempting to unionize sex workers in Southeast Asia. In the economic realities of that country, these women had chosen a profession that required a half-day's work and a level of humiliation in exchange for 16-hour workdays in grueling factory conditions. These women had interesting stories to tell, and an interesting take on their country's situation. A good filmmaker could capture the weight of their humanity.
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